Interpreting the New York Mayor's Sartorial Statement: The Garment He Wears Reveals Regarding Contemporary Masculinity and a Changing Culture.
Coming of age in the British capital during the noughties, I was always immersed in a world of suits. They adorned businessmen rushing through the Square Mile. They were worn by dads in Hyde Park, kicking footballs in the golden light. At school, a inexpensive grey suit was our required uniform. Historically, the suit has functioned as a costume of seriousness, projecting authority and professionalism—qualities I was expected to aspire to to become a "adult". However, before recently, people my age appeared to wear them less and less, and they had largely disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony wearing a subdued black overcoat, pristine white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captured the world's imagination like no other recent contender for city hall. But whether he was cheering in a music venue or appearing at a film premiere, one thing remained largely unchanged: he was frequently in a suit. Relaxed in fit, contemporary with unstructured lines, yet conventional, his is a quintessentially middle-class millennial suit—that is, as typical as it can be for a generation that rarely bothers to wear one.
"The suit is in this weird place," says men's fashion writer Derek Guy. "It's been dying a slow death since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the advent of business casual."
"It's basically only worn in the strictest settings: marriages, funerals, to some extent, court appearances," Guy explains. "It is like the traditional Japanese robe in Japan," in that it "fundamentally represents a custom that has long retreated from everyday use." Many politicians "wear a suit to say: 'I represent a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has historically conveyed this, today it performs authority in the hope of gaining public trust. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of drag, in that it performs masculinity, authority and even proximity to power.
This analysis resonated deeply. On the infrequent times I require a suit—for a wedding or formal occasion—I dust off the one I bought from a Tokyo department store a few years ago. When I first picked it up, it made me feel refined and high-end, but its tailored fit now feels passé. I suspect this feeling will be all too recognizable for numerous people in the diaspora whose families come from other places, especially global south countries.
Unsurprisingly, the everyday suit has lost fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a specific cut can therefore define an era—and feel quickly outdated. Take now: looser-fitting suits, echoing a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something destined to fall out of fashion within five years. Yet the appeal, at least in some quarters, persists: recently, department stores report tailoring sales increasing more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something exceptional."
The Symbolism of a Accessible Suit
The mayor's go-to suit is from Suitsupply, a European label that retails in a mid-market price bracket. "Mamdani is very much a reflection of his upbringing," says Guy. "A relatively young person, he's neither poor nor extremely wealthy." Therefore, his mid-level suit will appeal to the group most inclined to support him: people in their 30s and 40s, college graduates earning professional incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Affordable but not extravagant, Mamdani's suits plausibly don't contradict his proposed policies—such as a rent freeze, building affordable homes, and free public buses.
"It's impossible to imagine a former president wearing this brand; he's a Brioni person," says Guy. "As an immensely wealthy and was raised in that property development world. A power suit fits naturally with that elite, just as attainable brands fit well with Mamdani's cohort."
The legacy of suits in politics is extensive and rich: from a well-known leader's "controversial" tan suit to other national figures and their suspiciously impeccable, tailored appearance. As one UK leader discovered, the suit doesn't just clothe the politician; it has the power to define them.
The Act of Banality and Protective Armor
Maybe the point is what one scholar calls the "performance of banality", summoning the suit's historical role as a uniform of political power. Mamdani's particular choice leverages a studied understatement, neither shabby nor showy—"respectability politics" in an unobtrusive suit—to help him appeal to as many voters as possible. But, some think Mamdani would be cognizant of the suit's military and colonial legacy: "This attire isn't apolitical; scholars have long noted that its contemporary origins lie in military or colonial administration." Some also view it as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, perhaps especially to those who might question it.
Such sartorial "changing styles" is not a new phenomenon. Even iconic figures previously donned three-piece suits during their early years. These days, other world leaders have started swapping their typical fatigues for a dark formal outfit, albeit one without the tie.
"In every seam and stitch of Mamdani's image, the tension between insider and outsider is apparent."
The suit Mamdani selects is highly symbolic. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under scrutiny to meet what many American voters expect as a sign of leadership," notes one author, while at the same time needing to walk a tightrope by "not looking like an establishment figure selling out his non-mainstream roots and values."
Yet there is an sharp awareness of the double standards applied to suit-wearers and what is read into it. "This could stem in part from Mamdani being a younger leader, skilled to assume different personas to fit the occasion, but it may also be part of his multicultural background, where code-switching between cultures, customs and attire is common," it is said. "White males can remain unnoticed," but when women and ethnic minorities "seek to gain the power that suits represent," they must meticulously navigate the codes associated with them.
In every seam of Mamdani's official image, the tension between belonging and displacement, insider and outsider, is evident. I know well the awkwardness of trying to fit into something not designed with me in mind, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in public life, image is never neutral.